Drawing inspiration from the iconic peace anthem 'Happy Xmas! War Is Over!' by John Lennon and Yoko Ono, filmmakers Dave Mullins and Brad Booker from ElectroLeague, along with co-writer and producer Sean Ono Lennon, secured their first Academy Award on Sunday. [... ] Sometimes the best stories can be told with the help of a chessboard. The game is a key element in "War Is Over", and the 11-minute indie flick revolves around two soldiers, from opposite camps. In the short, the cerebral clash of chess is used as a metaphor for humanizing the soldiers and as a way of communication. [...] Ono, now 91 years old, has long been known as a chess enthusiast, playing chess with her late husband in the music video for 'Don't Count The Waves' from 1972. She also designed “Play It By Trust”, a chess set where all the pieces are white resulting in the players having to collaborate in order to remember where they placed the pieces, showing off her clear anti-war stance. "Chess is a universal language," her son Sean remarked in an interview.
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If you were to ask a random selection of people, “What’s the first thing that springs to mind when you think of Yoko Ono?” ‘She was married to John Lennon’ would probably be a common reply. If you then asked them what they know about her music, you’d either get blank looks or references to her screaming into a microphone. In the latest episode of the Misadventures in Music podcast, hosts Ian Prowse and Mick Ord take on the challenge of reshaping these perceptions by diving deep into the life and music of Yoko Ono. They are joined by Madeline Bocaro, a renowned biographer who has been closely following Ono’s career since the sixties. [...] Bocaro provides a nuanced portrait of Ono, highlighting her innovative spirit and the profound influence she has had on contemporary music and art. They discuss her avant-garde compositions, her pioneering work in the Fluxus movement, and her influence on the conceptual art scene.
Read MoreAt Art Basel, Templon's Unlimited sector features "The Extended Line" by Chiharu Shiota - who will be taking part in the Biennale d'Aix-en-Provence in the summer of 2024. In line with her work, the Japanese artist is honored with an installation composed of hundreds of kilometers of red rope suspended above hands and arms (Chiharu Shiota's own), from which a multitude of red sheets of paper seem to escape. An intimate, monumental message about the artist's painful experience as a cancer survivor.
Read MoreGerhard Richter ist einer der international bekanntesten und bedeutendsten Maler der Gegenwart. Am Kunstmarkt zählen seine Bilder zu den teuersten eines lebenden Künstlers. Richter hat an der Hochschule für Bildende Künste in Dresden studiert. Das Wandbild „Lebensfreude“ im Treppenfoyer des Deutschen Hygiene-Museums war seine Diplomarbeit und wurde wie fast alle frühen Werke der DDR-Zeit nach seiner Flucht in die BRD zerstört. Im Rahmen der Aufarbeitung der DDR Geschichte des Hygiene-Museums wird dieses frühe Werk nun überraschend wieder freigelegt.
Read MoreJapan Institute and Portland Japanese Garden will be partnering with the Nobel Peace Center, Yoko Ono’s studio and public gardens around the world to feature a global Wish Tree installation. The Wish Tree is an interactive artwork created by acclaimed artist and global peace advocate Yoko Ono. […] From June 7-10, the Wish Tree will be installed in the Tateuchi Courtyard, where visitors will be invited to reflect and write their wishes for peace that will then be tied to the Wish Tree’s branches. After its presence here concludes, the wishes are preserved and continue on in connection with the IMAGINE PEACE TOWER in Reykjavík, Iceland, to join the chorus of global citizens calling for peace.
Read MoreChiharu Shiota's “Beyond consciousness” is clearly one of the major projects of the second Biennale d'Aix, and will undoubtedly mark the summer season in the southern region. Three major heritage sites in the city of Aix-en-Provence will host works and installations by this internationally renowned artist. Beyond consciousness” will be on show at the Pavillon de Vendôme and the Musée des Tapisseries until October 6, as well as at the Chapelle de la Visitation, exceptionally open for the occasion until September 1.
Read MoreThe Mardin Biennial—now in its sixth edition and this year titled Further Away, running until 10 June—is coming into its own, securing long-term sponsorship from the Istanbul-based Hitay Foundation that should guarantee at least another five editions. After the 2024 Istanbul Biennial was postponed over divisions about its choice of curator, Turkey’s main art event this year is in Mardin. With that has come greater responsibility in Turkey’s impoverished, strife-hit southeast, local artists have argued. [...] A four-decade insurgency has scarred the southeast, and Ayşe Erkmen’s monumental swathe of fabric draped across a hilltop visible from Mardin is called 1907/32, referencing the Hague Convention article that requires negotiating with the bearer of a white flag on the battlefield.
Read MoreInternational filmmakers are calling for solidarity with Mohammad Rasoulof and persecuted filmmakers in Iran in an open letter, shared with Variety. Rasoulof – about to screen his latest film "The Seed of the Sacred Fig" in Cannes' main competition – was sentenced to imprisonment and torture by the Islamic Republic of Iran. He fled the country. "We condemn the inhumane treatment of Rasoulof and numerous other independent artists in Iran, who are being severely punished, criminalized and silenced for exercising their artistic freedom," it was stated in the letter, already signed by "Holy Spider" star Zar Amir Ebrahimi, Fatih Akin, Atom Egoyan, Ildiko Enyedi, Andrew Haigh, Agnieszka Holland, Laura Poitras, Sandra Hüller, Sean Baker, Payal Kapadia, Ariane Labed and Shirin Neshat.
Read MoreFrom May 9 to July 6, 2024 Mucciaccia Gallery presents in its Rome location the exhibition Tête-à-Tête, curated by Catherine Loewe, an exploration of the world of some famous pairs of artists in which love, life and art making merge in mutual pursuit. Tête-à-Tête unfolds as a passionate tale in a close comparison of the works performed by the protagonists: Sue Arrowsmith & Ian Davenport, Nick Carter & Rob Carter, Charlotte Colbert & Philip Colbert, Rossella Fumasoni & Piero Pizzi Cannella, Emilia Kabakov & Ilya Kabakov, Carolina Mazzolari & Conrad Shawcross, Annie Morris & Idris Khan, Shirin Neshat & Shoja Azari.
Read MoreWith calls for divestiture and charges of apartheid in Gaza dominating global news, marking the 30th anniversary of South Africa’s first democratic election is timely. [...] To commemorate 30 years since this milestone, Three Decades of Democracy: South African Works on Paper at the High Museum of Art is literally and figuratively a sidebar, located in a sliver of a gallery in the Wieland Pavilion. The first step in the curatorial process of such an installation would typically be a search in the High’s collection database for South African art. The result was a selection of works by eight Black and White artists — all men. [ ...] The most famous artist in the exhibition — at least to American and European visitors — is William Kentridge. His Dancing Woman from Zeno at 4am is one of nine etchings he created to accompany a signature shadow puppet play and film Zeno Writing (whether the High owns the other eight etchings is unclear). The project draws parallels between the final years of the Austro-Hungarian empire and the South African post-apartheid regime.
Read MoreIn March 2009, when Strauss & Co held its inaugural live auction of important South African art in Johannesburg, the catalogue included two works on paper by the acclaimed contemporary artist William Kentridge. Both works found eager buyers. [...] The nine works on paper by Kentridge in Strauss & Co’s forthcoming Online Day Sale and live virtual Evening Sale, scheduled for 28 May 2024, endorses this reputation. Leading the offering are two high-value drawings from outstanding international projects produced at the turn of the millennium, as well as an important etching by Kentridge made in 1997.
Read MoreThe question of Yoko Ono’s marriage to John Lennon sits like a water buffalo at the center of any conversation about her eight decades of work as an artist. It is oversized, hairy, imposing, impossible to ignore, tricky to get around. Do you tiptoe past it, slink away from it, or approach it head-on? [...] Coming from opposite directions, John Lennon and Yoko Ono met at the same place, as her work suggests a high artist searching for ways of liberating the avant-garde from arid intellectualism and going for the gut, the heart. Throughout the exhibition “Yoko Ono: Music for the Mind,” (at Tate Modern, until 1st September) pleasure comes into the equation, with works conceived to make you smile, giggle, or, perhaps oddest of all in the context of the art world, just feel warm. (Cut Piece is a notable exception.) With Ono, there’s always an impulse to embrace the unseriousness of the serious. In this way she’s not unlike the very best pop musicians. She was, after all, married to one, and perhaps it was he who said it best: “Her work is far out.”
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