Japan Nakama : Yoko Ono’s Art: Interweaving Japanese and American Identity
Yoko Ono stands out as a key figure in contemporary art, celebrated for her innovative and thought-provoking works that defy traditional artistic norms. Born in Japan and later relocating to the United States, Ono’s journey as a Japanese-American woman has profoundly influenced her art. Moreover her work transcends conventional boundaries, tackling social issues and inspiring contemporary artists to delve into the realms of transnationalism, social consciousness, and artistic originality. Yoko Ono’s enduring impact on the art world extends beyond her role as an artist. Encompassing her influence as a multicultural icon, activist, and advocate for artistic experimentation. Until now, people all over the world still regard Yoko Ono as one of the pioneering figures in the rise of the avant-garde art scene. Yoko Ono’s artwork continues to inspire and provoke thought, making her a significant presence in contemporary art. [...] The Yoko Ono exhibition has been open to all for viewing at the Tate Modern since February 15 and will run until September 1, 2024.
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E-flux annoucements : From Ukraine: Dare to Dream PinchukArtCentre
The PinchukArtCentre and the Victor Pinchuk Foundation present the exhibition entitled From Ukraine: Dare to Dream, as a Collateral Event of the 60th International Art Exhibition—the Venice Biennale. From Ukraine: Dare to Dream, when the world’s in constant fear, will be held at the Palazzo Contarini Polignac in Venice from April 20 until August 1, 2024, presenting the works of 22 artists and collectives, including Shilpa Gupta's works. Can we imagine tomorrow? Do we have the courage to dream? [...] Departing from Ukrainian lands and its history of forced migration, the exhibition sounds subdued voices that become songs of resistance and resilience. It addresses Earth’s ecological disasters while imagining a new utopia, where mythology merges into an alternative garden of Eden. Exhausted landscapes bear witness to human violence—from extractive economies to the harsh realities of war—while carrying seeds of a new beginning.
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Martin Cid Magazine : ICP Celebrates Five Pioneering Women at 40th Annual Infinity Awards Gala: A Night of Creativity, Leadership, and Inspiration
On Wednesday, April 10, photographers, artists, business leaders, philanthropists, fans andfriends of the International Center of Photography (ICP) gathered at The Shed for a sold out event to celebrate five pioneering women for their creativity, leadership and contributions to photography as an art and a discipline. ICP’s 40th Annual Infinity Awards, sponsored by HEARST and Kering, honored Lynsey Addario, Renell Medrano, Shirin Neshat, Wendy Red Star, and Caryl S. Englander–the first time ICP’s Infinity Awards has awarded five women for their achievements. [...] During the event, each awardee was accompanied by a short film, telling the powerful and often personal story of their journey in photography.
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e - flux Announcements : William Kentridge: "SELF-PORTRAIT AS A COFFEE-POT", Arsenale Institute for Politics of Representation
For this exhibition at Arsenale Institute for Politics of Representation in Venice, William Kentridge, renowned for his animated drawings for projection, as well as his sculpture, theatre and opera productions over the last forty years, collaborates with Carolyn Christov-Bakargiev, friend and author of the foundational monograph on his work published in 1998, to premiere his intriguing new nine-episode video series, SELF-PORTRAIT AS A COFFEE-POT. This exhibition of thirty-minute episodes by Kentridge, originally intended as a series for online viewing, is an experiment in embodiment and phenomenological experience in the digital age, and a reflection on what might happen in the brain and in the studio of an artist, today.
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FAD : Review, Soft Power Das Minsk (by Camille Moreno)
A shadowy silhouette of a hunched figure shows a woman on the move. Set against a map of “Germanie” and its surrounding countries, Pylon Lady has two large transmission towers for legs. Considering how Germany propels its energy efficiency, or Energiewende, as a vehicle of foreign policy and cultural influence, it is clear that William Kentridge’s piece embodies, in more ways than one, the title of Potsdam museum DAS MINSK’s new exhibition: Soft Power. (16th March – 11th August 2024)
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Ocula : Shirin Neshat, The Fury, Dirimart.
Shirin Neshat's exhibition "The Fury" is on show at Dirimart (Istanbul) from March 14 to April 7, 2024. Shirin Neshat's photographs and video installations explore the cultural issues of her native country Iran with a particular emphasis on the experience of women. Growing up in a westernized, upper middle-class family in Iran, Neshat left Iran to study art in Los Angeles in 1974, just before the Iran Islamic Revolution; she did not return until 1990. She began making art about the collision of western and eastern ideologies, which had profoundly impacted her and her family's lives. Neshat's work examines the physical, emotional, and cultural implications of veiled women in Iran with written words taken from religious texts.
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Vogue : At Tate Modern’s Reimagining of Yoko Ono’s Oeuvre, the Beatles Are Beside the Point (by Hayley Maitland)
As “Yoko Ono : Music of the Mind” (Tate Modern, until 21 September) makes clear, said history is long overdue for revision where Yoko is concerned. Her story is “more subtle, more interesting, and more nuanced than has ever really been allowed,” Sean—himself a musician—emphasizes in his Transatlantic tones now, “and this exhibition feels, in a lot of ways, like a correction of the accepted narrative about her life, her work.” If MoMA’s “Yoko Ono: One Woman Show, 1960-1971” gave New Yorkers a chance to change their minds about Ono and her oeuvre in 2015, the London-based retrospective does the same for a country that spawned both the Fab Four and some of the most shockingly vitriolic coverage of “The Smart One” and “his wife.” Curated by Juliet Bingham and spanning seven decades of work, it’s a testament to the fact that Ono’s is a talent so towering, a character so cool, that to contemplate either in the shadow of Beatlemania is to do both her and yourself a disservice.
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e-flux : Annoucements, I Feel You
"The exhibition "I Feel You" (March 8–July 14, 2024, PinchukArtCentre) invites the viewer to listen to experiences, memories, and testimonies from different places around the world, including Ukraine. Landscapes emerge, carrying scars of human tragedy while bearing the seeds of hope. Unsilenceable voices sound free and loud, despite the repression of authoritarian regimes. Human anxieties and utopian dreams are eclipsed by the political manipulations that affect reality today. The exhibition presents works by many artists, including Shilpa Gupta."
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e-flux : Annoucements "Chiharu Shiota: Everyone, a Universe", Fundació Antoni Tàpies
The exhibition Chiharu Shiota. Everyone, a Universe" (March 22–June 23, 2024) is curated by Imma Prieto, Fundació Antoni Tàpies’ Director. The work of Chiharu Shiota breathes a universality that appeals to the hearts and minds of people of different generations, and from distant geographical locations; the massive scale of her works inviting the viewer to be part of this immersive experience. The artist succeeds in making presence evident in absence, like life and death. She is inspired by memory, trauma and uncertainty; concerns that are shared by all humans. [...]The project is completed with several activities addressed to the general public and families, together with the educational programme, especially an inaugural conversation with the artist and the Memory and trauma seminar with the Fundación Rādika, as well as other unique experiences, within the framework of the Tàpies’ Centenary Year. The aim is to further the knowledge of the work and thought of Antoni Tàpies, contribute to updating the reading of his work and create new ways of looking at his legacy.
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Asia Society : Shirin Neshat's Land of Dreams: Screening and Conversation
Award-winning artist and filmmaker Shirin Neshat returns to Asia Society for the screening of Land of Dreams. Described by the filmmaker as one of her most personal works so far (Variety Magazine), the film follows Simin, an Iranian immigrant who works for the United States Census Bureau, on a journey to record citizens' dreams. The film was directed by Shirin Neshat and Shoja Azari, and stars Sheila Vand, Matt Dillon, William Moseley, Isabella Rossellini, and Anna Gunn, among many others. The film will be shown on March 19 during Asia Week 2024, and will be followed by a discussion with the artist.
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The Art Newspaper : The Big Review: Yoko Ono at Tate Modern, London ★★★★ (by Brian Dillon)
The exhibition "Yoko Ono: Music of the Mind" ( Tate Modern, until September 2024)—the title is derived from her concerts in London and Liverpool, in 1966 and 1967—opens with works that seem to rely on Ono’s central presence and laconic persona. In Eye Blink (Fluxfilm No. 15) (1966), the artist’s left eye shuts and opens in a black-and-white, slow-motion close-up. There is just enough facial information to recognise her and imagine you are looking, for two minutes and 40 seconds, at something akin to Andy Warhol’s Screen Test film portraits, begun a couple of years earlier. A staring contest, in other words, between subject and medium, a test of self-possession and charisma.
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Brooklyn Rail : Gerhard Richter: Endgadin (by Patricia Lewy)
Gerhard Richter: Endgadin at Hauser & Wirth, St. Moritz, documents Richter’s ongoing fascination with the Swiss Alpine Engadin surrounding the village of Sils Maria and the Fex Valley (Val Fex) in more than sixty overpainted photographs (Übermalungen), together with paintings and works on paper, drawn from a quarter century (1989–2018) of repeated visits to the region. Supplemented by complementary exhibitions at the Segantini Museum (St. Moritz) and the Nietzsche-Haus (Sil Maria), this show reveals how Richter mines the pictorial possibilities offered by overlaying abstract gestural swipes, drips, and smears on small format, commercially developed snapshots of the region. Ultimately, what might appear as transgressive acts of defacement transform private memories into indelible public revelations.
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