Ilya Kabakov was one of the most influential conceptual artists of the late twentieth century, internationally celebrated for transforming installation art into an immersive narrative experience.

Ayşe Erkmen’s Confessional is a windowed privacy booth that functions as a confessional space: inside, a large screen allows visitors to confess and interact with artificial intelligence.

Blood red is the omnipresent color of Chiharu Shiota’s mid-career survey, Two Home Countries.

Extending the reach of the FURLA SERIES, Fondazione Furla is staging a solo show for Shilpa Gupta at GAM – Galleria d’Arte Moderna, Milan, opening in September 2026.

William Kentridge remains a central figure in drawing, film, and theater, with a practice shaped by collage, animation, and public-scale image making.

New commissions by Maya Lin and Kiki Smith join contributions from more than two dozen world-renowned artists throughout the 19.3-acre campus of the Obama Presidential Center in Chicago, which opens to the public for the first time today, June 19, 2026.

We go behind the scenes at rehearsals for William Kentridge’s new staging of Monteverdi’s 1607 opera l’Orfeo

Now on display at the Broad in Los Angeles, Music of the Mind continues Ono's tradition of interactive artwork

What at first glance appears to be an ordinary house is in fact a work of art by Russian artists Ilya and Emilia Kabakov.

Opening at The Broad in Los Angeles (May 23rd– October 11th, 2026), Yoko Ono: Music of the Mind marks the artist’s first solo museum presentation in Southern California.

The Broad's "Yoko Ono: Music of the Mind" revives a 2024 exhibition at Tate Modern.

More exciting still is the staging: this marks Glyndebourne’s very first production of the piece, directed by South African visual artist and Olivier Award-winner William Kentridge in his Glyndebourne debut.