NEWS

 
 

NEWS

 
Ouest France Bretagne : Exposition à Rennes : l’étrange sarabande des damnés de la terre de William Kentridge (by Ambre Lefèvre)

Un homme danse et virevolte d’un écran à l’autre, tandis que la musique résonne. Un autre s’avance et jette des feuilles au vent, suivi par une silhouette portant un drapeau, avant d’être rattrapé par une fanfare empreinte de gravité… Voici quelques-unes des scènes auxquelles le visiteur pourra assister en découvrant l’œuvre monumentale de William Kentridge à l’occasion de l’exposition Pas sommeil à Rennes. Huit écrans, immenses, donnent à voir sa création vidéo panoramique, intitulée More sweetly play the dance​.

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Die Presse : Künstlerin Shirin Neshat: „Ich bin eine langsam Reisende“ (by Almuth Spiegler)

Das Gefühl der Einsamkeit prägt ihr Leben und Werk, auch ihre langjährige Arbeit an der „Aida“ für die Salzburger Festspiele. Wir sprachen mit der US-iranischen Künstlerin Shirin Neshat über den frühen Verlust der Geborgenheit, das Leben im Exil, das sie nun akzeptiert hat. Und darüber, wie das Beten und die Poesie der islamischen Kultur ihr dabei Gelassenheit geben.

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The National News : New Dubai exhibition asks how the Partition of India should be commemorated (by Melissa Gronlund)

The show at Jameel Arts Centre commemorating the 75th anniversary of the partition of India goes as far as it can to question its own principles. What is the meaning of commemoration? Can we can consider the partition to be one event, instead of one, long extended cleaving, re-performed at every border crossing between India and Pakistan?

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Artnet news : Manifesta Director Hedwig Fijen on How the 2022 Edition in Kosovo’s Capital Aims to Reform the Biennial Model for Long-Lasting Cultural Impact

Manifesta 14, which recently opened in the Kosovo capital of Prishtina. Under the guidance of founding director Dutch art historian Hedwig Fijen, Manifesta’s latest iteration aims to shine a light on Kosovo’s heterogenous and experimental art scene, not simply through temporary artist exhibitions but through long-term institutional and civic changes, made possible by years of cultural outreach and collaboration—a process Fijen calls one of “co-creation” between the biennial and the city’s residents.

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Art Basel : Galleries are ‘bringing out the quality’ in the Hamptons this summer (by Julie Baumgardner)

For its third season in the Hamptons, Pace has staccatoed its programming into short ten-day sprints. For the dog days of August, a selection of mostly new bronze, aluminum, and silver sculptures by Kiki Smith will take center stage. Though Smith herself is a resident of the other creative enclave in the greater New York area (the Hudson Valley), the themes she often explores – fragility versus heaviness, stability versus ephemerality – are all filtered through the lens of the natural world, tying these works to point of place: the great outdoors. Sense a theme around these parts?

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gabriela ancoKiki Smith
Bitter Winter : “That Which We Do Not Remember”: William Kentridge and Transitional Justice in South Africa—and Taiwan (by Massimo Introvigne)

South Africa’s leading contemporary artist offers a reflection on the limits of transitional justice in his country, which is also relevant for Taiwan and the Tai Ji Men case. A paper presented at the webinar “Tai Ji Men: The Road to Freedom,” co-organized by CESNUR and Human Rights Without Frontiers on July 18, 2022, United Nations Nelson Mandela Day.

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Mutual Art : William Kentridge: Deeper into the Collection, Part I

In 2015 and 2020, the George Eastman Museum received two major donations of moving image works from South African artist William Kentridge (b. 1955). Along with widely celebrated masterpieces, the collection contains a wealth of lesser-known material. This two-part program of short videos, screening on a loop in the Multipurpose Hall during museum hours, is full of wonderful surprises from Kentridge’s vast filmography.

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In These Times : An Iranian Artist in Exile Turns Her Camera to the West (by Matt A. Hanson)

Through photography and filmmaking, Neshat critiques the authoritarian power of national governments, from Iran to the United States and beyond, particularly the way they label their residents in documents like passports and census records. ​“The Colony” (2019), exhibited at Istanbul’s Dirimart gallery as part of one of Neshat’s latest shows, Land of Dreams, explores a fictional, underground Iranian bureaucracy hidden in an American desert.

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E-flux Announcements : Examination of a Case: Pop and Politics in Contemporary Textile Arts

The investigation of the material, fabrics and new textiles is currently being conducted by artists of various generations and backgrounds from all continents. Curtains, tapestries and rugs are being rediscovered as the pictorial carriers of contemporary depictions. Fabrics, textile decor and clothing are giving rise to fresh narratives and elucidating the backgrounds of historical, pictorial and global interconnections. This rediscovery of traditional techniques is complemented by an enthusiasm for new digital technologies: in the current era, digital technology controls the looms or spins the threads in an expanded reality.

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