NEWS

 
 

NEWS

 
Hyperallergic: The Sky’s the Limit as 50 Museums Join to Stream Yoko Ono-inspired Cloud Gazing

Since 5:45am Pacific time, at sunrise in Los Angeles, museums around the world have been streaming videos of the sky on Zoom. In collaboration with Ono, the Getty Research Institute and the Feminist Center for Creative Work invited around 50 museums to project 24-hour videos for “TV to See the Sky,” an event marking the summer solstice and the first full moon of the season, known as the strawberry moon.

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Korea JoongAng Daily : Espace Louis Vuitton Seoul welcomes Gerhard Richter and his '4900 Colours'

Richter’s solo show consists of four square paintings of kaleidoscopic colors arranged in grids. In fact, they are one work titled “4900 Colours.” The piece consists of 196 square panels, each of which consists of 25 squares of different colors, configured into four paintings. The artist conceived “4900 Colours” to be configured in a number of versions, from one gigantic-scale piece to multiple, smaller pieces. The configuration in Espace Louis Vuitton Seoul is Version IX.

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Wallpaper: Step inside Chiharu Shiota’s doll’s house

Japanese artist Chiharu Shiota is best known for art that consumes its viewers. These entanglements, blood-red, black or white threads often ensnare personal objects – from clothes, keys, boats, suitcases, to the artist herself. Shiota’s large-scale installation art often appears as though humans can weave webs, but at Galerie Templon, Brussels, the artist has downsized to spider-scale for a new diorama.

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The Hindu: Shilpa Gupta opens at Antwerp’s M HKA

Whether it is the talking microphones, the ‘Blame’ bottle, or the bag with a label that reads, ‘There is no explosive in this’, Shilpa Gupta’s artworks always speak to their viewer about situations that are socio-politically loaded. But only to the point where one engages with the work and ‘interprets’ it, even subjectively.

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The Moscow Times: Cutting-Age Contemporary Russian Art Comes to the Urals

The show opens with a piece Kostina calls the “perfect” introduction to the exhibition: Ilya and Emilia Kabakovs’ 2019 painting “Excursion,” in which the audiences see themselves — a group of people at an exhibition. The work is surrounded by a mirror, bringing together the image and viewers looking at the image. Divided into two large parts, Around and Inside, the exhibition is further divided into smaller sections, such as Fears, Anxieties, Illusions, Triggers and Hopes.

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Slight Lines: Art review: Shirin Neshat’s land of dreams

Born in Iran, Neshat came to the United States in the 1970s to pursue an education free from increasing political volatility in her homeland. After the Shah of Iran was overthrown the country’s post-revolutionary climate of unrest prevented Neshat from returning. She acquired an MFA from the University of California, Berkeley, moved to New York, and began making images during the early 1990s. Since then she’s won prestigious awards and become internationally recognized, although she has only returned to Iran a couple of times and has been an American citizen since 1983.

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Mint Lounge: Frieze New York: The art of healing

If you’re feeling helpless and overwhelmed by too much reality at the moment, consider a brief reprieve in art. Frieze New York’s latest edition, whose online viewing rooms are live until 14 May, features some of the best names in contemporary art from across the world—including a glittering array of artists from south Asia. The latter—Shilpa Gupta, Anju Dodiya, Atul Dodiya, Gulammohammed Sheikh, among others—have created intensely cerebral, yet aesthetically engaging, work over the decades. Their art, represented by some of the best galleries in India, not only act as windows into the world we have inherited, but also as portals into the recesses of our collective consciousness.

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Pop Matters: WHY YOKO ONO’S MUSIC MATTERS

Yoko Ono’s legacy is split in two. There is the reductive, racist, and sexist mythology that she broke up the Beatles, acting like a Lady Macbeth of rock music, sowing seeds of discontent that led to the implosion of the greatest rock band of the 20th century. As an addendum to this narrative is Ono the dilettante, the talentless, rich rock widow who used her connections and nepotism to buy herself a career as a musician.

The other story of Yoko Ono is far more interesting.

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