People around the world–from artists and cultural icons like Yoko Ono and Paris Jackson to Nobel laureates, members of Congress, and global leaders and organizations–are marking 79 years since the Hiroshima and Nagasaki atomic bombings by taking part in #CranesforOurFuture, the largest digital demonstration of support for a world without nuclear weapons. To participate in the campaign between August 6 and 9, the dates of the 1945 atomic bombings of Japan, people fold and share paper cranes on social media with a message about why moving closer to a world without nuclear weapons is important to them.
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“Shilpa Gupta: I did not tell you what I saw, but only what I dreamt” is on view at Madison Museum of Contemporary Art through January 14, 2025. Gupta’s work takes all that we know about identity and breaks it apart, dispersing the elements until they’re abstract. In other works, she takes apart elements that represent countries, such as all the stars featured in various flags. They are relinquished to the floor, where visitors can pick up a wax star and take it home with them. I was reminded of Sylvia Plath’s poem “Candles,” when I picked up a star among other stars, and felt the wax in my hands [...] The exhibition is also a way to honor those who succumbed to censorship and a memorialization of all the important writers and artists who aren’t able to show their work freely. We take their names home with us, and remember them.
Read MoreRosemarie Trockel ist eine der bekanntesten deutschen Künstlerinnen der Gegenwart, die auch international Anerkennung gefunden hat. Ein zentrales Thema ihrer Arbeit ist die kritische Auseinandersetzung mit weiblichen Lebenserfahrungen und der Frage der Geschlechterdifferenz. Rosemarie Trockel begann in den 1980er Jahren als Künstlerin zu arbeiten und machte es sich zur Aufgabe, die weitgehend männlich geprägte Kunstszene zu hinterfragen und dem männlichen Künstlergenie weibliche Rollen und Themen gegenüberzustellen. [...] Die monografische Ausstellung „Rosemarie Trockel – Ausgewählte Zeichnungen, Objekte und Videos“ (vom 29. August bis zum 27. Oktober im Sungkok Art Museum in Seoul zu sehen), zeigt die vielfältigen Arbeitsweisen der Künstlerin. Ein weiterer Schwerpunkt liegt auf dem Entstehungsprozess ihrer Werke. So wird jede Arbeitsphase in Tusche-, Kohle-, Bleistift-, Collage- oder Computerzeichnungen dokumentiert.
Read MoreThe exhibition "Landscapes of an Ongoing Past" (Salt Warehouse, August 16–September 22, 2024) establishes a dialogue between a major work by Ilya and Emilia Kabakov and a younger generation of artists from former socialist Eastern Europe on the premises of Zollverein UNESCO World Heritage Site. Since 2001, The Palace of Projects by the Kabakovs has been installed in the Salzlager (salt warehouse) of the preserved coking plant and industrial processing complex, an impressive site of cultural heritage located in Essen, North Rhine-Westphalia. The two-story, snail shell-like artwork, made of simple wood and linen, holds 61 proposals for a better future and is one of the Kabakovs’ largest permanent installations. In loose correspondence with it, existing as well as newly commissioned artworks by 17 artists explore traces of unrealized utopias, focus on questions of artisanal and industrial production, or reflect on the relationship between architecture and nature.
Read MoreStanding before his unflattering portraits of Spanish royalty, I was struck by how Goya’s art transcended traditional representation to challenge authority and reveal deeper truths. [...] His portrayal exposes the vanity and moral decay of the royals, turning a conventional portrait into a powerful critique. This act of artistic rebellion was a courageous statement, urging viewers to confront uncomfortable truths about their leaders and the nature of power. [...] This courage to confront authority is mirrored in Shilpa Gupta’s recent installation, “Sound On: Untitled, 2023.” Exhibited at Amant Art Center as part of "I Did Not Tell You What I Saw, But Only What I Dreamt," Gupta’s kinetic installation uses reverse-wired microphones to create an immersive auditory experience. The installation features a rotating voice reciting the names and detention dates of poets who have faced imprisonment, exile, or execution, including the grim fate of fourth-century poet Imadaddin Nasimi. A solitary lightbulb and evocative soundscape underscore the humility and resilience of these censored voices.
Read MoreWith "Yoko Ono, Music of the Mind", the Tate (until September 1, 2024) devotes a luminous retrospective to the visual artist, a welcome spotlight on the work of this pioneer of performance art, long caricatured and reduced to her Beatles husband.
Read MoreThis year seems to be, among other things, the year of the textile. The past six months have seen a plethora of fiber-centered shows at major museums, from “Weaving Abstraction in Ancient and Modern Art” at the Metropolitan Museum of Art to an exhibition of women fiber artists at the Smithsonian American Art Museum. [...] But the most comprehensive—and often unwieldy—of these shows is “Woven Histories: Textiles and Modern Abstraction,” a traveling exhibition that just closed at the National Gallery of Art in Washington, D.C. and is on its way to the National Gallery of Canada, after which it will be shown at the Museum of Modern Art. The show, which originated at the Los Angeles County Museum of Art last fall, aims to recenter fiber art in the story of modernism—to reweave textiles, so to speak, into the fabric of art history. Its central claim is that “abstraction, modernism’s primary visual language, has been entwined with textile materials, technologies, and issues since its inception.” [including works of Rosemarie Trockel].
Read MoreArt021 Hong Kong will feature 73 galleries and projects from 13 countries and regions, spanning five sections. The Galleries sector will showcase established and emerging artists from 40 galleries at Phillips Asia’s headquarters in the West Kowloon Cultural District. [...] Art021 Hong Kong will host a solo exhibition by Iranian-born American artist Amir H. Fallah, presented by Los Angeles- and Shanghai-based Gallery All. Additionally, the noncommercial curatorial project “One Thousand and One Nights,” inspired by Middle Eastern folktales, will feature works by artists from Western Asia, including Tala Madani, Shilpa Gupta, Mandy El Sayegh, Alia Ahmad, and others.
Read MoreIn September 2025 the Centre Pompidou is due to close its doors for the next five years. [...] So before it’s too late, why not visit or revisit this French gem for a tour of the permanent collections of contemporary art. [...]The final episode of this feast of monumental installations is a new one. The Kabakovs, husband and wife duo Emilia (born in 1945) and Ilya (1933-2023), who created their artworks together, probably share one of the best known names in Russian contemporary art. They recently donated a series of five monumental works to the Centre Pompidou which, as usual, implicitly critique Russian totalitarian society, in this case from bygone days.
Read More“Chiharu Shiota - Beyond Consciousness” is an exhibition presented from May 18 to October 6, 2024, at the Biennale d'Aix-en-Provence. Questions relating to life and death are delicately interwoven, and also permeate the volatile Collecting Feelings, a monumental work exhibited at the Chapelle de la Visitation, exceptionally open to the public for the occasion. It is presented as a majestic ex-voto: in a shower of red threads, hundreds of children's drawings and letters of gratitude seem to float in suspension. Introspection is the order of the day in this exceptional work, where connection becomes pure communion, celebrating the fragile privilege of existence.
Read MoreShowcasing her expertise across various media, the exhibition of Shilpa Gupta ,"I did not tell you what I saw, but only what I dreamt" (MMOCA, June 28, 2024 – January 14, 2025), features her interactive sound installations, sculptures, photographs, and drawings. A conceptual artist, Gupta’s distinctive approach challenges viewers to reflect on how information shapes our perception of reality in today's global society. Guiding Gupta's art is her research into the power of language, examining how large-scale institutions and invisible structures adopt it to define and enforce societal norms. She also considers language as a tool of resistance, empowering individuals to create new possibilities and challenge existing power structures. She applies these insights to explore issues surrounding the enforcement of national borders, cultural and social identity, religious and ethnic persecution, and the limits of free speech.
Read MoreArts icon and activist Yoko Ono was awarded the 64th annual Edward MacDowell Medal on Sunday for her “ground-breaking, distinctively inventive, and enormously influential” career as an interdisciplinary artist over seven decades. “There has never been anyone like her; there has never been work like hers … She has rewarded eyes, provoked thought, inspired feminists, and defended migrants through works of a wide-ranging imagination. Enduringly fresh and pertinent, her uniquely powerful oeuvre speaks to our own times, so sorely needful of her leitmotif: Peace,” author and board Chairman Nell Painter told an estimated 1,100 guests at the MacDowell.
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