NEWS

 
 

NEWS

 
Le Petit Journal : Du 26/11 au 30/04/23 – Rétrospective de l’artiste japonaise Chiharu Shiota au Macan (by Valérie Pivon)

Du 26 novembre au 30 avril 2023, le Musée Macan à Jakarta présente une rétrospective de l’artiste plasticienne japonaise Chiharu Shiota sous le titre « The Soul Trembles ». Souvent issues d'expériences personnelles, ses œuvres ont captivé des personnes du monde entier et de tous horizons en questionnant des concepts universels tels que l'identité, les frontières et l'existence.

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gabriela anco
E-flux Announcements : Constellations: Global Reflections Tri Hita Karana Forum / G20 Bali Summit

Each artist offers personal views of the need for global cooperation and continued policy changes regarding environmental justice, sea level rise, ocean plastic pollution, gender equity and the return to basic humanity and empathy in this unprecedented exhibition. The highly visible exhibition may be seen in the day and night on Kura Kura Bali.

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Los Angeles Times : Why artist William Kentridge is embracing shadows in his new Broad show (by Leah Ollman)

In his 2013 video “Second-Hand Reading,” South African artist William Kentridge appears as if walking across the pages of a dictionary. Beside him, as he makes this contemplative passage, words in black block letters briefly overlay the alphabetic entries: “WHICHEVER PAGE YOU OPEN,/THERE YOU ARE.” It’s classic Kentridge — the artist tweaking scale and space to physically occupy an authoritative text, both locating and implicating himself within.

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The Age : NGV offers a rare glimpse into its hidden treasures (by Kerrie O' Brien)

At any one time, the NGV has a significant percentage of its riches hidden away out of sight. It’s the same in any of the world’s large galleries, as their floor space simply does not allow all works to be exhibited at once. This exhibition offers a glimpse into some of the key works acquired by the NGV over the past decade – in some ways acting as a survey of the state gallery’s collection across art and design, including contemporary furniture, lighting, painting, film, sculpture and installation, many of which have not been on display for years.

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gabriela ancoShilpa Gupta
The Art Newspaper : Yayoi Kusama and Kiki Smith’s massive mosaic murals for new Manhattan train station revealed (by Benjamin Sutton)

A series of enormous mosaic murals by Yayoi Kusama and Kiki Smith, first announced in October, have been revealed inside the new Grand Central Madison train terminal, which opens to the public later this month in Manhattan. The glass mosaics are the main public art attractions in the terminal, which is part of an $11bn project to connect the Long Island Rail Road (LIRR) to Grand Central Terminal that stretches between 43rd and 48th streets along Madison Avenue.

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gabriela ancoKiki Smith
Ocula : Shirin Neshat, Nicky Nodjoumi, and More Declare Support for Student Protests in Iran (By Michael Irwin)

Iranian scholars, critics, art historians, and curators made a statement declaring solidarity with art students protesting at Iranian universities. It has now garnered over 7,000 signatures. Originally released on 29 October with 600 initial signatures, the open letter was drafted by an anonymous steering committee. Signatories include Iranian artists such as Shirin Neshat, Nicky Nodjoumi, Nairy Baghramian, Tala Madani, and Shirazeh Houshiary.

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gabriela ancoShirin Neshat
Hypebeast : Artists and Activists Unveil ‘Eyes on Iran’ Installation on New York’s Roosevelt Island (by Shawn Ghassemitari)

Arts non-profit Woman Life Freedom have unveiled a new installation on New York’s Roosevelt Island to raise awareness to the humanitarian crisis happening in Iran. Made in collaboration with French artist JR and For Freedoms, a civil rights platform founded by Hank Willis Thomas and Eric Gottesman, Iranian artists Aphrodite Deìsireìe Navab, Icy and Sot, Shirin Neshat, Sepideh Mehraban, and Sheida Soleimani present a series of large-scale artworks entitled Eyes on Iran.

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gabriela ancoShirin Neshat
Art & Object : In Conversation with William Kentridge (by Jordan Riefe)

Frequently referred to as South Africa’s Goya for his rough-hewn depictions of life in Johannesburg through the politically tempestuous 1980s and 1990s, he could also be called that country’s Duchamp, Disney, or Daumier. Such comparisons are feeble and reductive. William Kentridge is William Kentridge. His practice is best described not by words but by his work in a career survey currently showing at LA’s The Broad museum through April 9.

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Bomb Magazine : Some Quickening of the Pulse: William Kentridge Interviewed by Ivan Talijancic

“William Kentridge’s prodigious creative output as a visual artist, filmmaker, and theater and opera director has graced many of the world’s stages, galleries, and museums for several decades. I have keenly followed his work for many years, but when his production of The Head and the Load landed at New York City’s vast Park Avenue Armory in 2018, I found it truly revelatory; it was one of those rare productions that simply fired on all cylinders—a veritable Gesamtkunstwerk.”

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E-flux Annoucements : Changes mumok—Museum moderner Kunst Stiftung Ludwig Wien

The collection show Changes—the title refers to Gilliam’s work and is intentionally in the plural—focuses on recent acquisitions to the collection, with works by Leidy Churchman, János Fájo, Philipp Fleischmann, Birke Gorm, Jojo Gronostay, Frida Orupabo, and Emily Wardill, and other works from the collection that have not yet been shown at mumok, and confronts these with older holdings which can thus be seen afresh. A number of thematic areas address relevant contexts from today’s perspective: abstractions, textures, environments, and in/visibilities.

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gabriela ancoShilpa Gupta