The team behind the Istanbul gallery reflect on the importance of cross‑cultural dialogue as they open their first international space.
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A retrospective in Paris makes for a surprisingly personal journey through history with this purportedly impersonal artist
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It was 20 years ago today that Yoko Ono visited Coventry Cathedral to plant a new pair of oak tree saplings as a symbol of peace.
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After its blockbuster David Hockney show, the Fondation Louis Vuitton turns to another great living artist: Gerhard Richter (17 October–2 March 2026). This exhibition is ordered chronologically, taking us from Table (1962) – which Richter considers his first painting – to drawings made as recently as last year.
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Timothy Taylor is pleased to present an exhibition by Kiki Smith in London, the artist’s fifth solo presentation with the gallery. Spanning from 1997 to the present, the exhibition brings together sculptures and drawings that reflect Smith’s ongoing engagement with the natural world and its connection to mythology, spirituality, and the human condition.
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Teenage Rosemarie Trockel sits in a room plastered with pictures of celebrities—as teenagers are wont to do. It is 1960s West Germany, and she’s in her older sister’s bedroom. Behind her, cutouts of Brigitte Bardot appear half a dozen times in a sea of attractive faces. This all makes up a black-and-white snapshot; the collage on the wall flattens the space such that Trockel’s own head comes close to blending into the crowd, though she is evidently more uncomfortable in front of the camera than the various starlets.
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A deftly woven net of red string envelopes viewers at Chiharu Shiota’s first New York museum show, at the Japan Society. The site-specific installation, which is studded with sheets of loose papers replicating excerpts from the diaries of Japanese soldiers from World War II, is one of two pieces the institution commissioned for “Chiharu Shiota: Two Home Countries.”
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Dieter Schwarz, co-curator of a forthcoming retrospective of Richter’s work at the Fondation Louis Vuitton, shares his thoughts on a work offered in London on 15 October, and why he believes the artist ‘found the flowers too beautiful to be true’
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The artist has had museum solo shows on three continents this year alone—but her outing at Japan Society was her first in New York.
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A cancer survivor, a mother and a woman: Japanese thread artist Chiharu Shiota reflects on her many hats that led her to create her latest work, inspired by blood, in Hong Kong.
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Rosemarie Trockel’s outing this summer at Gladstone, “The Kiss,” one of two shows devoted to the artist in New York (the other at Sprüth Magers), “couches” itself quite literally in similar issues of virality, bemusement, broadcasting, and the tension between sex and politics—all perennial themes for the artist.
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Born in 1932, Richter was featured in the Fondation Louis Vuitton’s inaugural presentation in 2014 with works from the Collection. Now, the Fondation will dedicate all its galleries to the artist with a retrospective, unmatched in scale and chronological scope. Covering 1962 to 2024, the exhibition of 275 works—oil paintings, glass and steel sculptures, pencil and ink drawings, watercolors, and overpainted photographs—offers, for the first time, a comprehensive view of Richter’s creation over six decades.
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