Ayse Erkmen’s “Blue Stone,” composed of rock excavated during the construction of Arter itself, anchors the exhibition with a gesture that is both literal and poetic, with the building remembering its own making.
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We are pleased to launch our first audio guide to accompany William Kentridge: The Pull of Gravity in the Underground Gallery.
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Emilia Kabakov returns to Venice with a special project, conceived for the city and built together with its inhabitants, Diario veneziano.
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Why the art world can’t stop talking about Kiki Smith – from wolf-girl sculptures to haunting tapestries and rising auction prices, this is the one artist you need on your radar now.
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From barbed wire to whispering walls, Shilpa Gupta turns borders, censorship and identity into must-see, brain-twisting art – and the market is finally waking up.
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From barbed wire to whispering walls, Shilpa Gupta turns borders, censorship and identity into must-see, brain-twisting art – and the market is finally waking up.
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She turned knitting into a weapon, punked the art boys’ club and still pulls Big Money at auction. Time to put Rosemarie Trockel on your radar.
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Political, poetic, and totally screenshot-worthy: why Shirin Neshat’s black?and?white worlds are suddenly everywhere again.
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In Threads of Life, Chiharu Shiota delivers a spectacular and truly immersive experience.
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A Conversation between Justin Smith-Ruiu and Lawrence Weschler
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The work of the 94-year-old German artist, now retired, tests the limits of memory and the image itself.
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Richter is another artist renowned for a radical painting technique: in his case, applying layers of wet paint to a canvas and then dragging a squeegee across its surface.
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